July 23rd, 2008
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The gorgeous female will come from a program that can be seen in gorgeous high def that very day. Multi talented maverick Alan Cumming is back on the London stage reprising Martin Sherman s classic gay play Bent at the Trafalgar Studios. Rarely seen out of period costume, Rupert Friend pulled down his breeches for Johnny Depp in The Libertine and upset Jane Austen s apple cart in Pride and Prejudice when his Mr. Wickham eloped with the youngest Bennet girl Lydia. It s Totty Watch s job to keep you informed of the most scrumptious men on the planet and sometimes they re so damn gorgeous we re tempted to keep them all to ourselves. We re drooling at the thought.
Search real time news stories from Yahoo News and across the web. Sitemap title a link color blue. Sitemap blockquote a visited color blue. Font bold px Verdana, Arial, sans serif. By Michael Koresky and Chris Polar bear club July. EDITORS NOTE This is the first in a regular series of articles that will take a critical look at the state of contemporary queer cinema.
In developing this column, indieWIRE turned to New York City based writers Michael Koresky and Chris Wisniewski, inviting them to take a sort of he said, he said approach to discussing queer films. Michael Koresky Surveying the landscape of queer cinema has become increasingly difficult in recent years.
The biggest offender on this front was the formless, self consciously hip Bi the Way, which purported to expose the changing Cichlids from lake malawi success tanganyika towards sexual identity among today’s under set.
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Tanaz Eshaghian s Be Like Others, on the other hand, wasn’t simply edifying, it was heartbreaking. Morgan Jon Fox s Omg HaHaHa and Sam Zalutsky s You Belong to Me aren’t really about queerness in any meaningful way and that’s fine. I would still take either over the awkward lesbian subplot in Kyle Schickner s Steam. A scene from Ferzan Ozpetek’s Saturn in Opposition. MK Identification and titillation Sure, I’ll bite I enjoyed watching the appealing Daniel Sauli star in the effective suspense thriller You Belong to Me, in which his protagonist’s sexuality was secondary to the main plot, and all the frantic European soap operatic hand wringing of Ferzan Ozpetek s latest, Saturn in Opposition, couldn’t disguise the fact that the film’s best feature was Luca Argentero s gorgeous face.
Yet as much as I was titillated by Argentero or found myself identifying with Sauli as he was thrust into a Polanski esque New York apartment nightmare, such fleeting pleasures were trumped at every turn by Swatch group documentaries such as Be Like Others and A Jihad for Love, whose implicit refusal to fall into complacency was as important to their success as their ability to open our eyes to worlds we don’t normally get to see here in the West or that we want to deny.
I think, in terms of the fiction films, the reason for their inclusion is a mix of all of those possibilities you pose with Claudia model the final one a political call to action the least common. It’s hard to imagine it finding much of an audience outside of YouTube or e mail forwards, so it’s a tribute to NewFest that they chose this difficult, not wholly successful, but unique work for screening amid the more standard fare, and it’s certainly redolent of a new generation’s expanding of the boundaries of what constitutes a film.
It’s one of the rare cases where a somewhat similarly themed nonfiction counterpart was desperately lacking in comparison. Whereas in Omg Fox surveys today’s allegedly ambisexual youth culture with a refreshing matter of factness that helps it overcome its occasional stooping to Harmony Korine like grotesquerie, the aforementioned Bi the Way is nothing but a lame proselytizer, confused and bereft of insight into today’s youth, looking at such a wide range of ages and races in its attempt to capture the pulse of a bi generation that it ends up saying nothing other than Join the party It’s marked with a childish refusal to raise the basic questions about its principals that surely everyone in the audience is thinking could that African American New Yorker’s steadfast refusal to label himself as gay have anything to do with codes of masculinity in the black community Is Jonathan Caouette’s ten year old son really some sort of poster child for an incipient generation of open minded bisexuals, or is he just trying to impress a father who’s been in the limelight for exploiting his own sexuality for some years now And what does that subplot about the goateed dude with the hot bi wife engaging in threesomes like something out of HBO’s late night Real Sex series really have to do with a new generation of bisexuality, anyway It’s barely a documentary, just a self congratulatory investigation to justify its filmmakers evident desire to take a road trip. The perfect antidote was Daryl Wein s portrait of AIDS activist and former S M hustler Richard Berkowitz, Sex Positive, a thoroughly researched, compellingly edited documentary that’s as engaging as one man’s sexual and activist history as a wider look at AIDS advocacy in the Eighties, featuring interviews with important figures Larry Kramer, Joseph Sonnabend, and a dominating, eloquent Berkowitz himself, who’s been living with HIV for decades now. CW Maybe you’re a little hard on Saturn in Opposition.
Like You Belong to Me, I think it moves along quite nicely before stumbling in its second half. I think the world would be a better place if everybody was forced to watch Sex Positive and Be Like Others, but it may be asking too much to demand a bigger audience for the Drive harvest in moon films or more political engagement from the fiction entries. And Sex and the City, a movie written and directed by a gay man, co starring an out woman, and featuring two gay characters, has already made over million dollars at the American box office it doesn’t get much gayer than that. Michael Koresky is co founder and editor of. And the managing editor and staff writer of the Criterion Collection. The person in the audience framed their question something to the effect of if GLBTs are of the population.
By the end of the Q A, it seemed like the filmmaker was not interested in showing the spectrum of what it is to be GLBT in Iran today, but more interested in showing this one sliver of GLBT life. This could be said of all indie film, but Hoover savvy there are only so many stories being told from a very specific view. I’ve seen a lot of gay films.
Meaning, like my race as a black guy gay is a part of me, but it’s not exactly what gets me up in the morning. Darren Manzella is this gay guy who just got kicked out of the Micronized tadalafil for DADT. Yeah we would see some of his life but most of it would be Darren the gay military guy. What were his friendships like Did they sit around talking about him being gay or did they more than likely just try to survive with each others as buddies Etc. The story line for me wouldn’t center around his being gay although that would be a driving part of the conflicts he faces.
It would be about this guy, his life, what’s it like, etc. For me personally, the way I see it, if I am bored with it as a gay man, then straight audiences probably aren’t Ayden real estate at all.
The two movies I am waiting to see are Milk and Taking Woodstock. You know why Because they were stories when I heard about them that were of provera to me as story first not as movies I am going to see because it’s about being gay. Gay enhanced the interest, but the core story idea is really what’s enticing.
That’s why the story it interesting to me. Ruby Rich had a great deal to say about the fact that NQC was primarily a gay boy phenomenon. Background c url img sitemap bg. Sitemap title a visited color ffffff.
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